Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. In Description d’un Combat, Marker’s idiosyncratic style, combining location footage with archival material, builds a complex and personal portrayal. Israel’s demography is explored, from the kibbutzim to the Arab minorities, the orthodox Jews, and the tourists. The “battle” of the title does not refer to the tank-and-artillery variety, but to the inner struggle of Israeli citizens to adapt to a new view of themselves, in a new country.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Experimental short film loosely based on Franz Kafka's short story of the same name.
DESCRIPTION OF A MEMORY examines the complexities of Israel's history through the lens of Chris Marker's 1960 film DESCRIPTION OF A STRUGGLE (DESCRIPTION D'UN COMBAT), a portrait of the country made 13 years after its founding. Marker went to Israel as an outsider, looking to discover the spirit of the young country through its "language of signs." He found a place whose unique moral and political obligations could provide a new, humane model of nationhood to the world. In DESCRIPTION OF A MEMORY, director Dan Geva, an Israeli, explores what has happened in his homeland in the years since with a more critical eye, asking whether the promises Marker identified have been fulfilled. Structured by thirteen memories, the film is an open-ended, essayistic meditation on the distance between the ideals that fueled the creation of Israel and the realities of its history.